Past Performances

Occupying the site of a full-size gymnasium with 20 foot ceilings, THE GYM is a fully-equipped, multi-use theater, with flexible seating for up to 200. THE GYM draws on Judson's rich legacy, dating back to the 1960s, of presenting challenging, groundbreaking work, often in the face of attempts to censor artists.

Since opening its doors in May 2011, THE GYM has presented world premieres of Lysistrata Jones, Douglas Carter Beane and Lewis Flinn's pop musical, which moved to the Walter Kerr Theatre on Broadway, and Michael John LaChiusa's Queen of the Mist, starring Mary Testa. For more information, contact Nick Gottlieb at thegym (at) judson.org.

 

 


The Athens University basketball team hasn't won a game in 30 years. But when spunky transfer student Lysistrata Jones dares the squad's fed-up girlfriends to stop "giving it up" to their boyfriends until they win a game, their legendary losing streak could be coming to an end.

Join Lyssie and her girl-power posse courtside for the New York City premiere of this boisterous new pop musical comedy. Adapted from Aristophanes' comedy, Lysistrata, Tony-nominated bookwriter Douglas Carter Beane (The Little Dog Laughed) and composer-lyricist Lewis Flinn (The Divine Sister) have given the classic Greek tale a riotous new twist. Directed & choreographed by Tony-nominated Dan Knechtges (Xanadu) and staged in an actual gymnasium, Lysistrata Jones takes student activism to a whole new level and celebrates the journey of discovering and embracing who you truly are.

Listen to clips from the show here:

 PRESS

New York Times, "Lysistrata Jones” suggests that sneering at the pop corniness of old-fashioned musicals is so over. “Lysistrata Jones” is having too much fun to be merely cool.” Read the update on its move to Broadway!

The Hollywood Reporter, “"Bring It On" meets "High School Musical" meets "Glee." In a good way.”

Variety, “This is a plot that launches a thousand laffs, old and new.”

ABC, "This bouncy comedy, which opened Sunday night off-Broadway on the indoor basketball court of Judson Memorial Church in Greenwich Village, is performed by a talented, energetic group of attractive young actors who make the most of the athletic choreography, strong tunes and smart, witty lyrics."

CAST

Alexander Aguilar
as Uardo
Katie Boren as Lampito Kanagawa
Lindsay Chambers as Robin/Shelley
Max Kumangai as Tyllus
Liz Mikel as Heterai
Patti Murin as Lysistrata Jones
Kat Nejat as Cleonice
Josh Segarra as Mick
LaQuet Sharnell as Mhyrinne
Jason Tam as Xander
Teddy Toye as Harold
Alex Wyse as Cinesius

CREATIVE TEAM 

Book by Douglas Carter Beane Music & Lyrics by Lewis Flinn Director/Choreographer Dan Knechtges Musical Director Bradley Simmons Associate Choreographer Jessica Hartman Scenic Design by Allen Moyer

Lighting Design by Michael Gottlieb

Sound Design by Tony Meola Co-Costume Designers David Woolard
Co-Costume Designers Thomas Charles LeGalley

Queen of the Mist

Queen of the Mist is a world premiere musical with words and music by 5-time Tony nominee Michael John LaChiusa (The Wild Party, Marie Christine, Hello Again). Based on an astounding and outrageous true story, two-time Tony nominee Mary Testa stars as Anna Edson Taylor, who, in 1901 at the age of 63, set out to be the first woman to shoot Niagara Falls in a barrel of her own design. With a soaring score that incorporates turn of the century themes with LaChiusa’s signature complexity and insight, Queen of the Mist is the story of a single great fall, and how one woman risked death so that she could live.

CAST

Mary Testa as Anna "Annie" Edson Taylor, Tony Award nominee: On the Town, 42nd Street, Drama Desk Award nominee: TG's First Lady Suite)
D.C. Anderson, The Phantom of the Opera, The Life and Adventures of Nicholas Nickleby
Stanley Bahorek, See Rock City & Other Destinations, Broadway's 25th Annual Putnam County Spelling Bee
Theresa McCarthy, Floyd Collins, Titanic
Julia Murney, Wicked, Lennon, First Lady Suite
Andrew Samonsky, South Pacific, Tales of the City
Tally Sessions, The House of Blue Leaves, Yank!

CREATIVE TEAM

Choreography: Scott Rink
Musical Direction: Chris Fenwick
Orchestrations: Michael Starobin
Scenic Design: Sandra Goldmark
Costume Design: Kathryn Rohe
Lighting Design: R. Lee Kennedy
Sound Design: Walter Trarbach
Wig Design: Paul Huntley
Casting: Nora Brennan Casting
Production Manager: Charles Hubbard
Production Stage Manager: Wendy Patten
Dramaturg: Kristina Corcoran Williams
Associate Director: Gregg Wiggans
Assistant Stage Manager: Theresa Flanagan

Menders Image

Menders

written by Erin Browne
directed by Heather Cohn

OPENS Jan 21, 2012 @8:00PM
(Previews: Jan 19-20 @8:00PM)
Runs Thurs – Sat until February 11 

Additional performances:
Sun, 1/22 @7pm & 1/29 @3pm
Tues, 1/24 & 2/7 @7pm
Wed, 2/8 @8pm

 

THE STORY
Corey and Aimes are new recruits mending the wall that guards their city from an unnamed threat. But as their teacher Drew tells them subversive tales of the world outside they begin to wonder at the real purpose of the wall, until an unexpected act of passion tears the menders apart. Inspired by Robert Frost’s poem “Mending Wall”, Menders is a hauntingly lyrical look at what we’re walling out.

THE CAST
Matthew Archambault, Sol Crespo, Vivia Font, Mike Mihm, Ingrid Nordstrom, Raushanah Simmons, Isaiah Tanenbaum

THE CREATIVE TEAM
Will Lowry, Costume Design; Kia Rogers, Lighting Design; Cory Rodriguez, Set Design; Asa Wember, Sound Design; Trevor James Martin, Video Design; Jodi Witherell, Production Stage Manager; Annie-Sage Whitehurst, Dramaturg/Understudy; Anna Lamadrid, Assistant Director; Kelly O’Donnell & August Schulenburg, Production Managers; Postcard Illustration, Kristy Caldwell; Press Representation, Emily Owens PR

PRESS
"Flux Theatre Ensemble’s fervent and valiant production of Ms. McLaughlin’s sophisticated “Ajax in Iraq” makes its case" - The New York Times

"Flux consistently raises the bar when it comes to Indie Theatre and this piece has put that bar somewhere in the sky. An explosive 90 minutes with no intermission, Ajax in Iraq will live on in the minds and hearts of its audiences long after its all too short run." - BroadwayWorld

"playwright Liz Duffy Adams has a few tricks that put her a notch above your average Brechtswept wasteland: A genuinely crystalline ear for rough, poetic dialogue; a handful of simple, honest themes–possibilities for kindness in a savage world, guilt as a luxury and a form of selfishness–in lieu of sprawling world-building; and, most crucially, the savage talents of the Flux Theatre Ensemble." - New York Magazine 

 
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